New garden is in. A little late, but in. http://twitpic.com/1ri1hr 2010-05-27

100 Things I Like

March 20th, 2010

These are things I like (in no particular order).

1.   I like Old School almost always. I like New School when it isn’t ignorant.

2.   I like drummers who can play to a click but don’t need to.

3.   I like live show mixes that aren’t mostly kick drum.

4.   I like tape. I like the smell, the sound and the visual of a recorder as big as a washing machine spinning ribbons of iron.

5.   I like a clean studio without pests or vermin.

6.   I like to listen to music and not look at it (whether for work or pleasure).

7.   I like songwriters who are well read.

8.   I like musicians who can read.

9.   I like musicians who are bold enough not to have a tatoo.

10. I like well tuned drums.

11. I like guitarists who don’t have to rely on pedals.

12. I like pedals sometimes.

13. I like the excitement of musicians playing together in the studio.

14. I like any song that can be played simply on an acoustic guitar and still be recognized as a great song.

15. I like old instruments.

16. I like tube amplifiers.

17. I like musicians who know their craft.

18. I like mixing on an analog console.

19. I like cell phones turned off in the studio (even producers).

20. I like well made mics that aren’t Chinese or Austrailian.

21. I like music that doesn’t have talking in it.

22. I like musicians who can dance a whole lot better than dancers who are musicians.

23. I like to listen to music at a better quality than MP3.

24. I like assistant engineers who don’t talk much.

25. I like producers who don’t talk much.

26. I like girlfriends who don’t talk at all.

27. I like being payed in cash way better than forgetting the checkbook.

28. I like all music that isn’t elevator music.

29. I like people who know my definition of elevator music.

30. I like four string basses better than five string basses.

31. I like the mechanical noises that a real piano makes.

32. I like drummers and bass players who have decided who owns the bottom.

33. I like producers who allow me to be the engineer.

34. I like artists who allow the producer to be the producer.

35. I like singing all the choruses.

36. I like recording until I get a performance rather than trying to create a performance through editing.

37. I like #36 a lot!

38. I like great songs played well.

39. I like mastering engineers only when they make it better.

40. I like recording more songs than an album needs and dropping the stinkers.

41. I like bands that don’t fall in love with the stinkers.

42. I like bands that can recognize the stinkers.

43. I like albums with about ten songs.

44. I like recording on rainy days.

45. I like tea in the afternoon.

46. I like drummers who don’t try to play through the drum.

47. I like budgets that match ambition.

48. I like ego that matches talent.

49. I like musicians who know it’s a business.

50. I like having time to think about it.

51. I like doing business with a handshake.

52. I like not having to deal with lawyers.

53. I like great vocalists.

54. I like great songwriters better than great vocalists.

55. I like recording at 96/24 and mixing to tape or DSD.

56. I like not having to chase the demo.

57. I like mistakes when they are magical.

58. I like a studio to be quiet and cool (comfortable) at the same time.

59. I like studios that are cool. (asthetically)

60. I like the way music stores used to be.

61. I like conceptual albums.

62. I like things to be very organized.

63. I like recording music that doesn’t come with pre-dictated sound sets.

64. I like bands that don’t want to sound like Nickelback (or any other band).

65. I like jazz that isn’t Dixieland.

66. I like country music the way it used to be.

67. I like how country music is what rock used to be.

68. I like how alternative is no longer alternative when everyone is down with it.

69. I like the fact that NARAS still gives a Grammy to polka.

70. I like bands that leave their image at the door.

71. I like recording drums without triggers.

72. I like making decisions as I record and not saving them for later.

73. I like comping complete lead vocal takes.

74. I like dynamics.

75. I like deposits.

76. I like Remo heads better than Evans.

77. I like when everything serves the song.

78. I like American made drums and guitars.

79. I like people who do what they say they are going to do.

80. I like melody.

81. I like VU meters.

82. I like when song timing is revered.

83. I like the excitement of an artist’s first time in a real studio more than the  complacency of a veteren.

84. I like studio musicians for what they can bring to a session.

85. I like the pizza delivery boy for what he can bring to a session.

86. I like the fact that there is no competition in true art but plenty of competition in commerce.

87. I like real music made by real musicians in real time.

88. I like how recording forum moderators don’t know the basics of recording that entry level second engineers had to know before digital recording came along.

89. I like the fact that nobody knows it all.

90. I like assistant engineers who understand that they don’t know it all.

91. I like ‘tone’, and ‘tone’ does contain midrange.

92. I like to have time for experimentation.

93. I like recording instruments knowing I won’t have to resort to using samples or modeling.

94. I like having pictures of fun times while recording.

95. I like Zildjian cymbals the best.

96. I like musicians who bring their game to the studio.

97. I like musicians who don’t bring their games to the studio.

98. I like mics that cost as much as a good vacation.

99. I like being in the studio with people I admire.

100. I like what I like.

What is a Producer?

June 6th, 2009

Nothing gets more acclaim and adulation in music these days than the title of “Producer.” It’s so coveted that in rap sessions anyone who comes up with the slightest idea or even a minute fader move demands a credit as “Producer”. Producing is probably the most misunderstood role in the recording process. Some think a producer is the idea man, the one who comes to the session with every musical phrase worked out in his mind and the artist performs in servitude to his vision. Others think he is there to be a yes man to everything the artist says or does, providing an eternal positive response to the number one question heard in studios around the world, “What do you think?”

Read the rest of this entry »

Getting Your Drums Ready for the Studio

January 18th, 2009

Setting up and mic’ing drums in the studio can be a depressing experience if things don’t go well. Here are a few pointers on how to prep your kit for the studio.

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Truths

December 21st, 2008
Ludwigs*

1968 Ludwig Kit mic'd for session

Here are a few things I have learned in my 35+ years of doing this…

  1. It’s the singer’s band. It doesn’t really matter if you own the PA, it’s the singer’s band.
  2. Sometimes you’re the pigeon, sometimes you’re the statue.
  3. In the studio, sometimes smaller is bigger.
  4. An engineer (or producer) will bring the same organizational skills to your session as they bring to their own life.
  5. At any given time there is a pimpled-faced thirteen year old who can play better than you.
  6. There is always a Yoko.
  7. Read the rest of this entry »

The Role of Mastering

December 21st, 2008
Console

Euphonix Console

There was a time when mastering was a back-room affair. It was a thankless job and rarely credited. Heck, even the engineer and producer were rarely credited. So how did mastering become the coveted, high profile position we revere today?

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Guitar Tone

December 21st, 2008
Dr. Z Carmen Ghia

Dr. Z Carmen Ghia

OK, if you’re a guitar player and don’t know these basics, then you deserve Amp Farm™.  This is the foundation on how to get and develop your tone.

First, always turn on the power switch and wait for about a minute before switching the standby on. This allows the tubes to heat up a little which will extend their life. Reverse the process to shut down. Never turn an amp on without a load (speakers) or you may damage the output transformer and power tubes. Always match the impedance of the amp with the speaker cabinet.

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What is a Studio?

December 21st, 2008
Manley Microphone

Manley Reference Cardiod

“I have a studio now!” is the common cry from most folks after purchasing their recording set-up from the local Banjo Mart. Well, do you really have a studio?

For song writing demos, band demos for bookings, etc., your home set-up may be just fine. But when it comes to commercial releases, you may need some help. The marketplace today is very crowded and it takes an extraordinary record to stand out. Except for the abundantly equipped project studio, a professional studio offers the extra effort most projects need.

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